This issue is available on Taylor & Francis Online:
http://www.tandfonline.com/toc/gctr20/26/3

Cover illustration: The German production of Pornography directed by Sebastian Nübling, 2007. Image courtesy of A.T. Schaefer.
Contents
Notes on Contributors
Pages 303-304
Editorial
Simon Stephens: British Playwright in Dialogue with Europe
David Barnett
Pages 305-310
Document
‘This Is Why I’m Really Excited by British Theatre in the Next Five Years’: David Barnett in Conversation with Simon Stephens
David Barnett
Pages 311-318
Articles
New Perspectives on Home: Simon Stephens and Authorship in British Theatre
Catherine Love
Pages 319-327
‘Draining the English Channel’: The European Revolution in Three Kingdoms and Three Keynotes (by Simon Stephens, David Lan, and Edward Bond)
Benjamin Fowler
Pages 328-336
‘Changing the Conversation’: Simon Stephens, Sean Holmes, and Secret Theatre
Jacqueline Bolton
Pages 337-344
‘It’s Not about Fucking It up’: The Trial of Ubu, the Text, and the Director
Adam J. Ledger
Pages 345-356
The Invisible Other in Excess: (Dis)placing Europe in Simon Stephens’s Three Kingdoms
Marilena Zaroulia
Pages 357-364
Simon Stephens beyond Europe: Pornography on the Turkish Stage
Seda Ilter
Pages 365-375

Reviews
The Racial Mundane: Asian American Performance and the Embodied Everyday by Ju Yon Kim
Takeo Rivera
Pages 376-377
The Natyashastra and the Body in Performance: Essays on Indian Theories of Dance and Drama edited by Sreenath Nair
Mrunal Chavda
Pages 377-378
The Routledge Companion to Puppetry and Material Performance edited by Dassia N. Posner, Claudia Orenstein and John Bell
Jeremy Bidgood
Pages 378-379
Theatre and Aural Attention: Stretching Ourselves by George Home-Cook
Sarah Barnes
Pages 379-380
The Routledge Companion to Dramaturgy edited by Magda Romanska
Cathy Turner
Pages 381-382
The Censorship of British Drama 1900–1968: Volume Four: The Sixties by Steve Nicholson
Stephen Lacey
Pages 382-383
Deleuze and Beckett edited by S. E. Wilmer and Audronė Žukauskaitė
Treena Balds
Pages 383-385
Theatre and Evolution from Ibsen to Beckett by Kirsten Shepherd-Barr
Dan Rebellato
Pages 385-386
Northern Spirit
Maddy Costa and Sarah Frankcom
Pages 387-390
Can you Live on Accident Time Forever? Heisenberg and the Theatre of Simon Stephens
Zac Kline
Pages 390-392
A Letter to Simon
Caridad Svich
Pages 392-393
Ruthless Compassion: A Case for Simon Stephens
Christian Parker
Pages 393-396
Reading Three Kingdoms as a Woman: Criticism, Misogyny, and Representation
Sophie Nield
Pages 396-399
Default Male: On Gender and the Rejection of Naturalism in the Work of Greyscale Theatre Company
Maddy Costa and Selma Dimitrijevic
Pages 399-402
Alan Rickman – An Appreciation (21 February 1946-14 January 2016)
Geoffrey Colman
Pages 402-403
In Memoriam: Luc Bondy, A European Director on the French Stage (1948-2015)
Dominic Glynn
Pages 403-404
Luc Bondy at the Wiener Festwochen
Vicky Angelaki
Pages 404-405
Luc Bondy
Martin Crimp
Page 405
Abstracts
Pages 406-409
