Month March 2022
Redaction.
Editorial, Spring 2022
[read more]Filling the Blank: Redaction as Affective Strategy in Lucy Kirkwood’s Maryland
Isabel Stuart writes about redaction as a dramatic technique and a theatrical tool for critique in Lucy Kirkwood’s Maryland (2021).
[read more]Doubling Down on the Spectacle: The Performative (After)Lives of Feminicide Photography in Mexico
Aline Hernández’s essay argues that re-enactments of feminicide photography in Mexico disrupt necropolitical operations by performing an aesthetics of critical redaction.
[read more]Postscript: Beyond the Optics of Ally-ship
Postscript: Melissa Poll on Equity and Inclusion Dramaturgy
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