Redaction.

Editorial, Spring 2022

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Filling the Blank: Redaction as Affective Strategy in Lucy Kirkwood’s Maryland

Isabel Stuart writes about redaction as a dramatic technique and a theatrical tool for critique in Lucy Kirkwood’s Maryland (2021).

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Doubling Down on the Spectacle: The Performative (After)Lives of Feminicide Photography in Mexico

Aline Hernández’s essay argues that re-enactments of feminicide photography in Mexico disrupt necropolitical operations by performing an aesthetics of critical redaction.

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Postscript: Beyond the Optics of Ally-ship

Postscript: Melissa Poll on Equity and Inclusion Dramaturgy

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