Queer Practice

Editorial, Winter 2023

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Confession of the Rabbit God

Hongwei Bao imagines an evocative monologue for the fictional clerk Hu Tianbao, who appears in a short story of Qing Dynasty Chinese scholar Yuan Mei

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Fanchuan and Bianzhuang: Ways of Doing Drag in Contemporary China

Hongwei Bao problematises the umbrella term of “drag” by discussing two categories of drag in contemporary China: fanchuan, drawn from traditional and historical Chinese theatre and bianzhuang, influenced by “global drag culture.”

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Swan Twink

The performance text for Andrew Sutherland’s Swan Twink subversively uses the iconic, almost mythical, status of the classic Swan Lake to create a queerly intimate, personal and vulnerable performance.

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Searching in the Shadows: Queer Aesthetics in Performance Lighting

Lighting designer Emma Lockhart-Wilson posits strategies of subversion, fluidity and drawing attention to bodily labour as ways to explore queerness in three performances.

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An Autoethnographic Reflection in 4 Repetitive Titles on the Blend of Auto and Fiction in Where My Accent Comes From

Ibrahim Halaçoglu’s decolonial performative text invokes the idea of the meddah, or a traditional storyteller and mimic, for a self-reflexive critical monologue on migration, freedom and identity.

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Locating Care

Gemma Hutton and Greg Thorpe, interviewed by Alyson Campbell, Meta Cohen and Stephen Farrier.

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Redaction.

Editorial, Spring 2022

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Filling the Blank: Redaction as Affective Strategy in Lucy Kirkwood’s Maryland

Isabel Stuart writes about redaction as a dramatic technique and a theatrical tool for critique in Lucy Kirkwood’s Maryland (2021).

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Thoughts on redaction and care

Tia-Monique Uzor considers the link between dance and water as she reflects on her personal experiences and her work in Katherine Dunham’s archive as spaces where the past, present and future collide.

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Doubling Down on the Spectacle: The Performative (After)Lives of Feminicide Photography in Mexico

Aline Hernández’s essay argues that re-enactments of feminicide photography in Mexico disrupt necropolitical operations by performing an aesthetics of critical redaction.

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Postscript: Beyond the Optics of Ally-ship

Postscript: Melissa Poll on Equity and Inclusion Dramaturgy

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Dispatches

In this photo-essay and conversation, Rina Arya and Allie Carr explore the strange and magical interiors of theatres closed during the Covid-19 pandemic.

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Interventions: Summer 2021

Summer 2021: Outing Archives, Archives Outing

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Fugitivity through Black digitality: podcasting in the Black Plays Archive

Nadine Deller considers the impact of institutional whiteness on her position as a Black “mixed-race” researcher and how developing a podcast on Black British theatre history helped her negotiate “Black fugitivity” within the BPA.​

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On Being, Knowing, and Doing

In this dialogue based article Vicki Couzens and Priya Srinivasan think through decolonization from the place of praxis and cultural artistic exchanges in the Australian context.

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More Now. Notes on the past in online documentary theatre

Wojtek Ziemilski presents a multilayered hypertext in response to Lola Arias’ documentary theatre workshop Mis Documentos, playing with autobiography and the digital in archival performance.

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Archives are a SCAM!

Reflecting on his research on folk performances in subaltern communities in India, Brahma Prakash, in his article “Archives are a SCAM!”, critically considers the politics concerning structural archival conventions.

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Dispatches: Ramzi Maqdisi

17-06-21: Through prose and soundscape, Ramzi Maqdisi reflects on his aural experiences of Palestine in response to the recent violence in Jerusalem.

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Interventions

Winter 2020: Public Health, Politics, and Performance

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