Robyn Mayol and Ella Parry-Davies’ soundwalk ‘Shadow/Boxing’ takes us on a journey through east London’s Bethnal Green, ghosted by the voices of participants in a Muay Thai-based social care group.
In his performative text ‘Leaving a Secret Place’, Raafat Majzoub explores how to shift through transitions between the competing fictive worlds of the powerful and the marginalised.
In this interview, Kelechi Okafor – owner of South London dance studio Kelechnekoff – discusses the transnationalism of twerk, anti-racism and black advocacy in fitness, and transformation in physical culture.
Broderick Chow presents documentation from The Dynamic Tensions Physical Culture Show, performed at the Anatomy Museum, King’s College London, and explains its intervention into the history of physical culture and fitness.
Alongside this special issue on “Feminisms Now”, these online Interventions celebrate the formal and conceptual diversity of both feminist performance and scholarship.
Some of New York company Half Straddle were once students of Gwendolyn Alker; now she takes her current students to see their work. Here she reflects on their ‘gloriously queer’ aesthetics and lineages of feminism.
With its hip-hop aesthetics and colour conscious casting, Lin Manuel Miranda’s Hamilton: An American Musical is an international phenomenon – but, Clare Chandler asks, what agency does it give its female characters?