‘You live by charity, you die by charity.’ Brian Lobel, performance maker, curator and author of Theatre & Cancer on the economics of illness narratives and the precarisation of disability justice.
In this visual and textual autoethnography Jose Kervin Cesar B. Calabias explores how an Indigenous community navigates the precarities of neo-colonialism and finds sustenance in rituals of home.
14-12-20: Paul Rae profiles political advisor Dominic Cummings via Oscar Wilde, testing the capacity of performance studies to make sense of a present that seems increasingly fictional.
Spring 2020: European Performance in Troubled Times.
Editorial by Aneta Mancewicz
Katia Arfara examines Brett Bailey’s Sanctuary, the research-based installation she curated in Athens in 2017 to discuss the ongoing humanitarian crisis in Europe and the return to identity politics.
Diana Damian analyses Manuel Pelmus and Alexandra Pirici’s Public Collection at Tate Modern in 2016, which addresses artistic labour and mobility to showcase Europeanness in contemporary performance.
Azadeh Sharifi draws on Anta Helena Recke’s Die Kränkungen der Menschheit at Münchner Kammerspiele in 2019 to expose the exclusion of ethnic groups and migrants from the discourse on German identity.