With its hip-hop aesthetics and colour conscious casting, Lin Manuel Miranda’s Hamilton: An American Musical is an international phenomenon – but, Clare Chandler asks, what agency does it give its female characters?
“Because softness means being careful with one’s self”, an audio work by Jessica Worden, both describes and enacts an aesthetics (and ethics) of softness, vulnerability and care.
Duška Radosavljević introduces this special issue of CTR Interventions on the controversial European theatre director Oliver Frljić.
Oliver Frljić discusses his early encounters with the theatre in Split and Zagreb, key productions in his oeuvre, and international collaborations.
Andrej Mirčev explores the controversy that greeted Our Violence and Your Violence (2016) when it premiered in Split, Croatia, through Jacques Rancière’s concept of dissensus.
Aljoscha Begrich, dramaturg at Gorki Theater Berlin, reflects on the many Frljić productions and many Frljić’s he has encountered before working on the new Gorki – Alternative für Deutschland.