Teatr Powszechny: Frljić’s theatre playground

Agnieszka Jakimiak, dramaturg on The Curse, reflects on that production and its controversy, arguing that Frljić’s work attempts to dismantle the complicity of representation with power.

Interventions 28.1 (March 2018)

Anna McMullan introduces the set of Interventions published alongside this special issue on Staging Beckett and Contemporary Theatre and Performance Cultures, co-edited with Graham Saunders.


Jonathan Heron discusses his series of projects with the late Beckett theatre scholar and performer, Rosemary Pountney, and the digital iterations and traces of that collaboration.