
Wojtek Ziemilski presents a multilayered hypertext in response to Lola Arias’ documentary theatre workshop Mis Documentos, playing with autobiography and the digital in archival performance.
Wojtek Ziemilski presents a multilayered hypertext in response to Lola Arias’ documentary theatre workshop Mis Documentos, playing with autobiography and the digital in archival performance.
Reflecting on his research on folk performances in subaltern communities in India, Brahma Prakash, in his article “Archives are a SCAM!”, critically considers the politics concerning structural archival conventions.
17-06-21: Through prose and soundscape, Ramzi Maqdisi reflects on his aural experiences of Palestine in response to the recent violence in Jerusalem.
Winter 2020: Public Health, Politics, and Performance
Photography and memory, ritual and writing come together in Vanessa Damilola Macaulay’s inquiry into racialised experiences of breath and breathlessness, from violent anti-blackness to Fanon’s revolution.
‘You live by charity, you die by charity.’ Brian Lobel, performance maker, curator and author of Theatre & Cancer on the economics of illness narratives and the precarisation of disability justice.
In this visual and textual autoethnography Jose Kervin Cesar B. Calabias explores how an Indigenous community navigates the precarities of neo-colonialism and finds sustenance in rituals of home.
14-12-20: Paul Rae profiles political advisor Dominic Cummings via Oscar Wilde, testing the capacity of performance studies to make sense of a present that seems increasingly fictional.