Cover Illustration: The Art of Luv. Photographer: Maria Baranova. Courtesy of Royal Osiris Karaoke Ensemble.

Special Issue: Encountering the Digital in Performance: Deployment | Engagement | Trace

Edited by Maria Chatzichristodoulou, Andy Lavender & Eirini Nedelkopoulou

Contents

Notes on Contributors
Pages: 307-308

Preamble: Encountering the Digital in Performance: Deployment | Engagement | Trace
Maria Chatzichristodoulou, Andy Lavender & Eirini Nedelkopoulou
Pages: 309-310

Introduction to Encountering the Digital in Performance: Deployment | Engagement | Trace
Maria Chatzichristodoulou
Pages: 311-323

Articles

Pixelated Memories: Performance, Media, and Digital Technology
Sarah Bay-Cheng
Pages: 324-339

The Internet, Theatre, and Time: Transmediating the Theatron
Andy Lavender
Pages: 340-352

Attention Please! Changing Modes of Engagement in Device-Enabled One-to-One Performance Encounters
Eirini Nedelkopoulou
Pages: 353-365

Amplifying Sensory Spaces: The In- and Out-Puts of Headphone Theatre
Rosemary Klich
Pages: 366-378

Karaoke Theatre: Channelling Mediated Lives
Jennifer Parker-Starbuck
Pages: 379-390

Documents

Performing the Present, Saving the Future: Digital Media Presence in the Work of Raspeani Skopjani
Elena Marchevska
Pages: 391-397

Futile Labor: [Digital] Performance at the Edge of Visibility
Chris Salter
Pages: 398-404

Sound Choreography <> Body Code: Software Deployment and Notational Engagement without Trace
Kate Sicchio & Alex McLean
Pages: 405-410

Reviews

Dramaturgy and Architecture: Theatre, Utopia and the Built Environment by Cathy Turner
Adela Bravo Sauras
Pages: 411-412

Vanguard Performance beyond Left and Right edited by Kimberly Jannarone
Baz Kershaw
Pages: 412-414

Evita, Inevitably: Performing Argentina’s Female Icons before and after Eva Perón by Jean Graham-Jones
Cecilia Sosa
Pages: 414-415

Tragedy and Dramatic Theatre by Hans-Thies Lehmann, trans. by Erik Butler
David Barnett
Pages: 415-416

Performance in the Twenty-First Century: Theatres of Engagement by Andy Lavender
Gareth White
Pages: 416-417

The Theatre of Thomas Ostermeier by Peter M. Boenisch and Thomas Ostermeier
Matt Cornish
Pages: 417-418

Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism by Emma Cox
Michael Balfour
Pages: 418-420

Beckett’s Creatures: Art of Failure After the Holocaust by Joseph Anderton
Stephen Wilmer
Pages: 420-421

backpages 27.3

Britain’s Been Brexit-ing for Years: The Political Correctness Plaster Has Been Lifted
Simeilia Hodge-Dallaway
Pages: 422-424

John Berger: An Introduction to the Backpages In Memoriam Tribute
Carl Lavery
Pages: 424-425

Seeing in the Dark
Dougald Hine
Pages: 425-427

Berger’s Field
Chris Goode
Pages: 427-429

A Conspiracy of Orphans: John Berger and the Art of Creative Attention
Simon Murray
Pages: 429-432

On Staging John Berger’s Boris (1985)
Mike Pearson
Pages: 432-434

Remembering Berger
Richard Turney
Pages: 434-436

Abstracts
Pages: 437-440