Logic of prelude: on use value, pleasure, and the struggle against agony
Giulia Palladini theorizes the musical ‘prelude’ as a temporal structure that actualizes possible futures in the present.
Logic of prelude: on use value, pleasure, and the struggle against agony
Exhaustion and Its Entanglements: Relational Ethos, Minoritarian Positionality, and These Political Times
Asif Majid reexamines Octopus from “Entangling the British Muslim Woman” through the personal lens of minoritarian positionality, and the exhaustion it can produce specifically for Muslim artists.
Nearly four years in nearly four minutes: fat, queer, dance and time
Charlotte Cooper’s video and text documents a process of exploring ‘queer feminist fat sensibility, experience and possibility’, which challenges exclusionary and ableist notions of dance.
Wir sind das Volk!: The Unspoken Spell Cast on the Peaceful Revolutionaries
In the context of Hong Kong protests and her installation & performance in Leipzig, Wir sind das Volk! (December 2019), wen yau reflects on the power of a peaceful revolution and the fragility of freedom.
Feeling political times: Notes from downtown Beirut during the uprising
Fuad Musallam reflects on the post-17 October 2019 Lebanese uprising. Tracing its rhythms through changes to the materiality of downtown Beirut, the affects and expressions of political times emerge.
Interventions, Autumn 2019
Editorial by Broderick Chow, Aneta Mancewicz, Ella Parry-Davies, Bella Poynton, and Eleanor Roberts
Thinking Through and With Learning Disability
In the context of her work with Cyrff Ystwyth, a dance-theatre company, Margaret Ames examines kinaesthesic action as an affective and cultural tool that challenges hegemonic distribution of inclusion.
An Interview with Hancock and Kelly
Hancock and Kelly, interviewed by Jennie Klein, on their new performance, An Extraordinary Rendition, with accompanying photos and video excerpts.