This issue of Interventions attends to collaboration as a method of theatre-making and scholarship, and as a way of studying their conditions of possibility.
Hillary Miller analyses the curatorial and real estate collusions involved in Coney Island’s Art Walls.
The research collective After Performance explores how vulnerability might productively work against the norm of ‘lonely scholarship’.
Daniel Oliver and Luke Ferris’ video on/of ‘dyspraxic collaboration’ unapologetically performs the generative possibilities of ‘inattentivity’.
In this interview, Elyssa Livergant and the Precarious Workers Brigade consider the relationship between higher education, the cultural industries and labour through the theme of collaboration.