Fuad Musallam reflects on the post-17 October 2019 Lebanese uprising. Tracing its rhythms through changes to the materiality of downtown Beirut, the affects and expressions of political times emerge.
Editorial by Broderick Chow, Aneta Mancewicz, Ella Parry-Davies, Bella Poynton, and Eleanor Roberts
In the context of her work with Cyrff Ystwyth, a dance-theatre company, Margaret Ames examines kinaesthesic action as an affective and cultural tool that challenges hegemonic distribution of inclusion.
Hancock and Kelly, interviewed by Jennie Klein, on their new performance, An Extraordinary Rendition, with accompanying photos and video excerpts.
Melanie Kloetzel’s post-script ‘Playing Politics’ elaborates on her proposals for site-versatile approaches in performance, which may work to self-reflexively critique conditions of precarity in the neoliberal present.
Drawing on interviews with Clean Break’s co-artistic director Anna Herrmann and playwright Katherine Chandler, Sarah Bartley reflects on representations of women in poverty on the UK stage.